Monday, March 30, 2020
Good advice then and now
Rosabeth Moss-Kanter, in an article published in AARP magazine in 2006,
stated, “A structure for collaboration is an insurance policy for hope,” and it
came at a good time. I was, that year, exploring ways to tap into senior
experiences – such as my own – that would help college art students at my alma
mater – Central Washington University.
I never found good soil there, sadly, although it added to my experience.
Her statement about an insurance policy for hope never left my mind. Now it’s
more important as we live in the onset of the corona virus pandemic, and
schools nationwide are shut, forcing separation of teachers and students.
Parents of school-age students are forced into home-schooling and most were
not prepared. Many are not going to their workplaces because of the risks of
contagion. Once again, as people have faced crises in the past, we need an
insurance policy for hope.
What does “a structure for collaboration” mean to me?
In the first place, it’s an abstract design, this structure. In a perfect
world, it would be a successful printmaking studio where people came together
not only to make prints for their enjoyment, but to share in the creative
processes that color human interaction in achieving goals.
The collective goals, for example, of having a group show such as an “Open
Studio.” When I was a member of the collective, Triangle Studios, we hosted those
events and they are among the highlights of my life. The physical studio and
the abstract design of an open studio event are structures for collaboration.
I think this fits Moss-Kanter’s definition.
But, what now?
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment